Lolita (1955) by Vladimir Nabokov

I read an interview recently with some celebrity - actor or director, I forget which - who recalled how, when he was a kid, his Dad would read him the opening few paragraphs of Lolita with the admonition, "Now that's writing!". Mystery Celebrity's liberal-minded Pop was right : I'm not putting these books in preferential order, but if I had to pick one novel as my all-time favourite it might well be Nabokov's masterpiece. I first read this tale of a man's lust for a (female) 12-year-old when I was about that age myself, and didn't like it much - unsurprisingly, for you'd have to be at least twice that to appreciate the book's richness and complexity, and the devastating, deliberate contrast between its glittering, often hilarious prose and its sad, sickening subject-matter (not to mention its satirical juxtaposition of European "culture" and American vulgarity). The closest movie equivalent I can think of is something like The Cook, the Thief, His Wife and Her Lover - but it has little of Lolita's delicacy, and almost none of its emotional impact.


p.1

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta : the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.

She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.

Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style.

Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.


(pp. 79-81)

A few words more about Mrs. Humbert while the going is good (a bad accident is to happen quite soon). I had been always aware of the possessive streak in her, but I never thought she would be so crazily jealous of anything in my life that had not been she. She showed a fierce insatiable curiosity for my past. She desired me to resuscitate all my loves so that she might make me insult them, and trample upon them, and revoke them apostately and totally, thus destroying my past. She made me tell her about my marriage to Valeria, who was of course a scream ; but I also had to invent, or to pad atrociously, a long series of mistresses for Charlotte's morbid delectation. To keep her happy I had to present her with an illustrated catalogue of them, all nicely differentiated, according to the rules of those American ads where schoolchildren are pictured in a subtle ratio of races, with one - only one, but as cute as they make them - chocolate-covered round-eyed little lad, almost in the very middle of the front row. So I presented my women, and had them smile and sway - the languorous blonde, the fiery brunette, the sensual copperhead - as if on parade in a bordello. The more popular and platitudinous I made them, the more Mrs. Humbert was pleased with the show.

Never in my life had I confessed so much or received so many confessions. The sincerity and artlessness with which she discussed what she called her "love-life", from first necking to connubial catch-as-catch-can, were, ethically, in striking contrast with my glib compositions, but technically the two sets were congeneric since both were affected by the same stuff (soap operas, psycho-analysis and cheap novelettes) upon which I drew for my characters and she for her mode of expression. I was considerably amused by certain remarkable sexual habits that the good Harold Haze had had according to Charlotte who thought my mirth improper ; but otherwise her autobiography was as devoid of interest as her autopsy would have been. I never saw a healthier woman than she, despite thinning diets.

Of my Lolita she seldom spoke - more seldom, in fact, than she did of the blurred, blond male baby whose photograph to the exclusion of all others adorned our bleak bedroom. In one of her tasteless reveries, she predicted that the dead infant's soul would return to earth in the form of the child she would bear in her present wedlock. And although I felt no special urge to supply the Humbert line with a replica of Harold's production (Lolita, with an incestuous thrill, I had grown to regard as my child), it occurred to me that a prolonged confinement, with a nice Caesarean operation and other complications in a safe maternity ward sometime next spring, would give me a chance to be alone with my Lolita for weeks, perhaps - and gorge the limp nymphet with sleeping pills.

Oh, she simply hated her daughter! What I thought especially vicious was that she had gone out of her way to answer with great diligence the questionnaires in a fool's book she had (A Guide to Your Child's Development), published in Chicago. The rigmarole went year by year, and Mom was supposed to fill out a kind of inventory at each of her child's birthdays. On Lo's twelfth, January 1, 1947, Charlotte Haze, née Becker, had underlined the following epithets, ten out of forty, under "Your Child's Personality" : aggressive, boisterous, critical, distrustful, impatient, irritable, inquisitive, listless, negativistic (underlined twice) and obstinate. She had ignored the thirty remaining adjectives, among which were cheerful, co-operative, energetic and so forth. It was really maddening. With a brutality that otherwise never appeared in my loving wife's mild nature, she attacked and routed such of Lo's little belongings that had wandered to various parts of the house to freeze there like so many hypnotized bunnies. Little did the good lady dream that one morning when an upset stomach (the result of my trying to improve on her sauces) had prevented me from accompanying her to church, I deceived her with one of Lolita's anklets. And then, her attitude towards my saporous darling's letters!

DEAR MUMMY AND HUMMY,

Hope you are fine. Thank you very much for the candy. I [crossed out and rewritten again] I lost my new sweater in the woods. It has been cold here for the last few days. I'm having a time. Love.

DOLLY

"The dumb child," said Mrs. Humbert, "has left out a word before 'time'. That sweater was all-wool, and I wish you would not send her candy without consulting me."


(pp. 152-156)

Now, in perusing what follows, the reader should bear in mind not only the general circuit as adumbrated above, with its many side-trips and tourist traps, secondary circles and skittish deviations, but also the fact that far from being an indolent partie de plaisir, our tour was a hard, twisted, teleological growth, whose sole raison d'etre (these French clichés are symptomatic) was to keep my companion in passable humour from kiss to kiss.

Thumbing through that battered tour book, I dimly evoke that Magnolia Garden in a southern state which cost me four bucks and which, according to the ad in the book, you must visit for three reasons : because John Galsworthy (a stone-deaf writer of sorts) acclaimed it as the world's fairest garden ; because in 1900 Baedeker's Guide had marked it with a star ; and finally, because ... O, Reader, My Reader, guess! ... because children (and by Jingo was not my Lolita a child!) will "walk starry-eyed and reverently through this foretaste of Heaven, drinking in beauty that can influence a life". "Not mine," said grim Lo, and settled down on a bench with the fillings of two Sunday papers in her lovely lap.

We passed and re-passed through the whole gamut of American roadside restaurants from the lowly Eat with its deer head (dark trace of a long tear at inner canthus), "humorous" picture post cards of the posterior "Kurort" type, impaled guest checks, life savers, sunglasses, adman visions of celestial sundaes, one-half of a chocolate cake under glass, and several horribly experienced flies zig-zagging over the sticky sugar-pour on the ignoble counter ; and all the way to the expensive place with the subdued lights, preposterously poor table linen, inept waiters (ex-convicts or college boys), the roan back of a screen actress, the sable eyebrows of her male of the moment, and an orchestra of zoot-suiters with trumpets.

We inspected the world's largest stalagmite in a cave where three south-eastern states have a family reunion ; admission by age ; adults one dollar, pubescents sixty cents. A granite obelisk commemorating the Battle of Blue Licks, with old bones and Indian pottery in the museum nearby, Lo a dime, very reasonable. The present log cabin boldly simulating the past log cabin where Lincoln was born. A boulder, with a plaque, in memory of the author of Trees (by now we are in Poplar Cove, NC, reached by what my kind, tolerant, usually so restrained tour book angrily calls "a very narrow road, poorly maintained", to which, though no Kilmerite, I subscribe). From a hired motor-boat operated by an elderly, but still repulsively handsome White Russian, a baron they said (Lo's palms were damp, the little fool), who had known in California good old Maximovich and Valeria, we could distinguish the inaccessible "millionaires' colony" on an island, somewhere off the Georgia coast. We inspected further : a collection of European picture post cards in a museum devoted to hobbies at a Mississippi resort, where with a hot wave of pride I discovered a coloured photo of my father's Mirana, its striped awnings, its flag flying above the retouched palm trees. "So what?" said Lo, squinting at the bronzed owner of an expensive car who had followed us into the Hobby House. Relics of the cotton era. A forest in Arkansas and, on her brown shoulder, a raised purple-pink swelling (the work of some gnat) which I eased of its beautiful transparent poison between my long thumbnails and then sucked till I was gorged on her spicy blood. Bourbon Street (in a town named New Orleans) whose sidewalks, said the tour book, "may [I liked the 'may'] feature entertainment by pickaninnies who will [liked the 'will' even better] tap-dance for pennies" (what fun), while "its numerous small and intimate night clubs are thronged with visitors" (naughty). Collections of frontier lore. Ante-bellum homes with iron-trellis balconies and hand-worked stairs, the kind down which move ladies with sun-kissed shoulders run in rich Technicolor, holding up the fronts of their flounced skirts with both little hands in that special way, and the devoted Negress shaking her head on the upper landing. The Menninger Foundation, a psychiatric clinic, just for the heck of it. A patch of beautifully eroded clay ; and yucca blossoms, so pure, so waxy, but lousy with creeping white flies. Independence, Missouri, the starting point of the Old Oregon Trail ; and Abilene, Kansas, the home of the Wild Bill Something Rodeo. Distant mountains. Near mountains. More mountains ; bluish beauties never attainable, or ever turning into inhabited hill after hill ; south-eastern ranges, altitudinal features as alps go ; heart- and sky-piercing snow-veined great colossi of stone, relentless peaks appearing from nowhere at a turn of the highway ; timbered enormities, with a system of neatly overlapping dark firs, interrupted here and there by pale puffs of aspen ; pink and lilac formations. Pharaonic, phallic, "too prehistoric for words" (blasé Lo) ; buttes of black lava ; early spring mountains with young-elephant lanugo along their spines ; end-of-the- summer mountains, all hunched up, their heavy Egyptian limbs folded under folds of tawny moth-eaten plush ; oatmeal hills, flecked with green round oaks ; a last rufous mountain with a rich rug of lucerne at its foot.

Moreover, we inspected : Little Iceberg Lake, somewhere in Colorado, and the snow banks, and the cushionets of tiny alpine flowers, and more snow ; down which Lo in red-peaked cap tried to slide, and squealed, and was snowballed by some youngsters, and retaliated in kind comme on dit. Skeletons of burned aspens, patches of spired blue flowers. The various items of a scenic drive. Hundreds of scenic drives, thousands of Bear Creeks, Soda Springs, Painted Canyons. Texas, a drought-struck plain. Crystal Chamber in the longest cave in the world, children under twelve free, Lo, a young captive. A collection of a local lady's home-made sculptures, closed on a miserable Monday morning, dust, wind, witherland. Conception Park, in a town on the Mexican border which I dared not cross. There and elsewhere, hundreds of grey humming-birds in the dusk, probing the throats of dim flowers. Shakespeare, a ghost town in New Mexico, where bad man Russian Bill was colourfully hanged seventy years ago. Fish hatcheries. Cliff dwellings. The mummy of a child (Florentine Bea's Indian contemporary). Our twentieth Hell's Canyon. Our fiftieth Gateway to something or other vide that tour book, the cover of which had been lost by that time. A tick in my groin. Always the same three old men, in hats and suspenders, idling away the summer afternoon under the trees near the public fountain. A hazy blue view beyond railings on a mountain pass, and the backs of a family enjoying it (with Lo, in a hot, happy, wild, intense, hopeful, hopeless whisper - "Look, the McCrystals, please, let's talk to them, please" - let's talk to them, reader! - "please! I'll do anything you want, oh, please..."). Indian ceremonial dances, strictly commercial. ART : American Refrigerator Transit Company. Obvious Arizona, pueblo dwellings, aboriginal pictographs, a dinosaur track in a desert canyon, printed there thirty million years ago, when I was a child. A lanky, six-foot, pale boy with an active Adam's apple, ogling Lo and her orange-brown bare midriff, which I kissed five minutes later, Jack. Winter in the desert, spring in the foothills, almonds in bloom. Reno a dreary town in Nevada, with a nightlife said to be "cosmopolitan and mature". A winery in California, with a church built in the shape of a wine barrel. Death Valley. Scotty's Castle. Works of Art collected by one Rogers over a period of years. The ugly villas of handsome actresses. R. L. Stevenson's footprint on an extinct volcano. Mission Dolores : good title for book. Surf-carved sandstone festoons. A man having a lavish epileptic fit on the ground in Russian Gulch State Park. Blue, blue Crater Lake. A fish hatchery in Idaho and the State Penitentiary. Sombre Yellowstone Park and its coloured hot springs, baby geysers, rainbows of bubbling mud - symbols of my passion.


(p. 190)

Sometimes ... come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a grey furry question mark of a look : "Oh no, not again" (incredulity, exasperation) ; for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Pulease, leave me alone ; will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.